| 1 | Name: | Dr. Deborah Howard | |
| Institution: | St. John's College, University of Cambridge | ||
| Year Elected: | 2021 | ||
| Class: | 4. Humanities | ||
| Subdivision: | 401. Archaeology | ||
| Residency: | International | ||
| Living? : | Living | ||
| Birth Date: | 1947 | ||
Deborah Howard is Professor Emerita of Architectural History at the University of Cambridge, where she is a Fellow of St John’s College. A graduate of Cambridge University (Newnham College, 1964-68, first class honours), she did her postgraduate studies at the Courtauld Institute of Art, University of London (MA with distinction 1969; PhD 1973). After a research Fellowship at Clare Hall, Cambridge, she taught at University College London, the University of Edinburgh and the Courtauld Institute, before returning to the University of Cambridge in 1992. She was appointed to a Personal Chair in Architectural History in 2001 and served as Head of the Department of History of Art for six years (2002-9, with sabbatical break) before retiring in 2013. On her retirement, her contribution was recognised by two Festschrift volumes, edited by Nebahat Avcıoǧlu, Emma Jones and Allison Sherman (2016-2018). She has an honorary doctorate from University College Dublin (2014). In 2010 Howard was elected a Fellow of the British Academy. She is also a Fellow of the Society of Antiquaries, Fellow of the Society of Antiquaries of Scotland, Honorary Fellow of the Royal Incorporation of Architects of Scotland and Fellow of the Royal Society of Edinburgh. She has held visiting appointments at Yale (summer Term program in London), Harvard (Aga Khan program and the Villa I Tatti), the National Gallery of Art in Washington DC, Smith College, Princeton, and the Universities of Melbourne and Queensland. Among her many committee memberships she served on two Royal Commissions in Scotland between 1987 and 1999 and was Chairman of the Society of Architectural Historians of Great Britain from 1997 to 1999. She was a Trustee of British Architecture Library Trust (2001-10) and a non-executive Director of the British Architectural Trust Board (2011- 16). Since 2011 she has been a board member of the Centro di Studi di Architettura ‘Andrea Palladio’ in Vicenza. She is a Trustee of Venice in Peril, and was elected an Honorary Patron Member of the Society of Architectural Historians of GB in 2020. Her principal research interests are the art and architecture of Venice and the Veneto; music and architecture in the Renaissance; and the relationship between Italy and the Eastern Mediterranean. In 2005 she established the Centre for Architectural and Musical Experiments in Renaissance Architecture (CAMERA) at Cambridge, supported by grants from the Arts and Humanities Research Council, the British Academy and the Gladys Krieble Delmas Foundation. She was one of the leaders of a major four-year ERC-funded research project entitled Domestic Devotions: The Place of Piety in the Italian Renaissance home 1400-1600 (2013-7). She has recently completed a research project funded by the Leverhulme Trust on the proto-industrial architecture of the Veneto. Her monographs include Venice Disputed: Marc’Antonio Barbaro and Venetian Architecture 1550-1600 (Yale UP, 2011); Venice and the East: the Impact of the Islamic World on Venetian Architecture 1100-1500 (Yale UP, 2000); Scottish Architecture from the Reformation to the Restoration 1560 - 1660 (Edinburgh UP, 1995); The Architectural History of Venice (rev. edn. Yale UP, 2002, 1st edn. Batsford 1980); Jacopo Sansovino: Architecture and Patronage in Renaissance Venice (Yale University Press, 1975; rev. 1987). She is the joint author, with Mary Laven and Abigail Brundin, of The Sacred Home in Renaissance Italy (Oxford UP, 2018). With Laura Moretti she co-authored Sound and space in Renaissance Venice: Architecture, Music, Acoustics (Yale UP, 2009). 2011. She particularly enjoys collaborative projects that give opportunities to younger scholars, usually resulting in co-edited books. Among these are La Chiesa di San Giacomo dall’Orio, Venezia (ed. with Isabella Cecchini and Massimo Bisson, Viella, 2018); Madonnas and Miracles: The Holy Home in Renaissance Italy (ed. with Maya Corry and Mary Laven, exh. cat., Fitzwilliam Museum, Cambridge 2017); The Image of Venice: Fialetti’s View and Sir Henry Wotton (ed. with Henrietta McBurney, London 2014); Santa Maria Gloriosa dei Frari: Immagini di Devozione, Spazi della Fede (ed. with Carlo Corsato, Padua 2015); Architecture and Pilgrimage 1000-1500: Southern Europe and Beyond (ed. with Paul Davies and Wendy Pullan, Ashgate Press, 2013); and The Music Room in Early Modern France and Italy: Sound, Space and Object (ed. with Laura Moretti, Oxford UP, 2012). | |||